Beginner

Open Hi-Hat vs Closed Hi-Hat in Beats

Two sounds, one cymbal. Getting the relationship right makes your beats sound real.
100 BPM. Closed hat keeps the 8th-note pulse, open hat opens up on the offbeat of beat 3 to lift the pattern back to the top. Both rows share a mute group — the next closed hat on step 10 chokes the open hat the way real hi-hat pedals do.
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BPM

Swing

50%

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Open hat

The Difference

On a real drum kit, the hi-hat is two cymbals mounted on a stand with a foot pedal: • Closed hi-hat: Press the pedal to hold the cymbals together. Hit them and you get a tight, short 'tick' sound. • Open hi-hat: Release the pedal to let the cymbals separate. Hit them and you get a longer, shimmering, washy sound. In beat making, these are two separate samples on two pads. The closed hat does the heavy lifting; the open hat is a flavor you add on a few specific steps.

Closed-Only Baseline

100 BPM. Closed hat on every 8th note. The standard rock/hip-hop hat pattern, no opens.
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50%

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Closed hat

Start with just the closed hat — eighth notes, every other step. Solid, but every bar is identical. Your ear locks onto the pulse and stops paying attention. Listen for two bars and notice how flat it gets.

Opening Up the "And of 4"

100 BPM. Same kick/snare as above. The closed hat now skips step 15 and an open hat takes its place — the wash trails into the next bar.
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50%

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Open hat

Drop one closed hat on step 15 and replace it with an open hat. That single change makes the pattern lift before it resets — the wash of the open hat carries you over the bar line. House producers do this on every offbeat; hip-hop producers do it once per bar like below.

House — Open Hat on Every Offbeat

124 BPM. Four-on-the-floor kick. Open hats on the offbeats (steps 3, 7, 11, 15), closed hat ticks on the beats. The two share a mute group so the closed hat chokes the open ring.
Tempo

BPM

Swing

50%

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Closed hat
Open hat

The house hi-hat signature: open hat sustains over each downbeat, closed hat ticks the offbeats underneath. Put both in the same mute group so the closed hat chokes each open as it lands — exactly like a real pedal release.

Setting Up Mute Groups

On a real kit you can't ring an open hat through a closed hat — closing the cymbals physically chokes the open sound. Mute groups recreate that. In Padwolf: 1. Load closed hat on one pad, open hat on another. 2. Set both to the same mute group number. 3. Now whenever either pad triggers, it cuts off the other. Without mute groups the open hat keeps ringing through closed hat hits — it sounds fake. With mute groups, the cymbals behave like a real instrument.

Pre-Snare Lift

92 BPM boom bap. Open hat on step 11 — one step before the snare on step 12 — gives the snare a windup. Closed hat on step 13 immediately chokes the open hat.
Tempo

BPM

Swing

58%

Level

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Kick
Snare
Closed hat
Open hat

Put a single open hat on the step before the snare. The wash builds tension; the snare crashes through it. The mute group makes sure the snare doesn't ring out alongside the open hat — the next closed hat right after the snare cuts everything tight.

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Frequently Asked Questions

You can make beats with just closed hats, but adding an open hat on a few steps dramatically improves the pattern. It's one of the easiest ways to add professional polish to beginner beats.

Pedal hi-hat is the sound of the cymbals closing with the foot (no stick hit). It's a softer, subtler sound. Some producers load it on a third pad for even more realistic hat programming — closed, open, and pedal each on their own pad, all in the same mute group.